A NEWLY REMASTERED & EXPANDED EDITION OF THIS CLASSIC 1972 ALBUM BY AUDIENCE
• REMASTERED FROM THE ORIGINAL CHARISMA MASTER TAPES
• WITH THREE BONUS TRACKS
• BOOKLET WITH NEW ESSAY & INTERVIEW WITH HOWARD WERTH


ESOTERIC RECORDINGS are pleased to announce the release of a newly remastered and expanded edition of the classic 1972 album by the legendary Progressive Rock group AUDIENCE, "Lunch”.


Along with GENESIS and VAN DER GRAAF GENERATOR, Audience were one of the key bands on the roster of the Famous Charisma Label in the early 1970s.


Comprising HOWARD WERTH (Vocals, Electric Nylon String Guitar), KEITH GEMMELL (Saxophone, Clarinet, Recorder, Flute), TREVOR WILLIAMS (Bass, Vocals) and TONY CONNOR (drums, percussion, vibes), Audience had a fanatical following, particularly on the continent, where their jazz-influenced brand of Progressive Rock proved popular (earning the band Top Ten status in Italy).


"Lunch”, released in February 1972, was the band’s final album of the 1970s and reached number one in Italy. Produced by Gus Dudgeon, the album featured contributions from the legendary saxophonist BOBBY KEYS and from Trumpet player and Trombonist JIM PRICE who completed the album following the departure of KEITH GEMMELL from the band mid-way through recording sessions.


This Esoteric Recordings reissue includes three bonus tracks and has been remastered from the original Charisma master tapes. It features a booklet with restored artwork and an essay by Sid Smith with an exclusive interview with Howard Werth.

• A NEWLY REMASTERED & EXPANDED EDITION OF THIS CLASSIC 1971 ALBUM BY AUDIENCE

• REMASTERED FROM THE ORIGINAL CHARISMA MASTER TAPES

• WITH THREE BONUS TRACKS


ESOTERIC RECORDINGS are pleased to announce the release of a newly remastered and expanded edition of the classic 1971 album by the legendary Progressive Rock group AUDIENCE.


Along with GENESIS and VAN DER GRAAF GENERATOR, Audience were one of the key bands on the roster of the Famous Charisma Label in the early 1970s.


Comprising HOWARD WERTH (Vocals, Electric Nylon String Guitar), KEITH GEMMELL (Saxophone, Clarinet, Recorder, Flute), TREVOR WILLIAMS (Bass, Vocals) and TONY CONNOR (drums, percussion, vibes), Audience had a fanatical following, particularly on the continent, where their jazz-influenced brand of Progressive Rock proved popular (earning the band Top Ten status in Italy).


“The House on the Hill”, released in May 1971, was the band’s second album for Charisma and is arguably their most well-known. Produced by Gus Dudgeon, the album featured the legendary title track and classics such as ‘Jackdaw’ and ‘You’re Not Smiling’.


This Esoteric Recordings reissue includes three bonus tracks (one previously unreleased) and has been remastered from the original Charisma master tapes. It features a booklet with restored artwork and an essay by Sid Smith with an exclusive interview with Howard Werth.

- Howard Werth / electric classical guitar, vocals
- Keith Gemmell / clarinet, flute, tenor saxophone
- Trevor Williams / bass, vocals
- Tony Connor / percussion, drums, vibraphone

With
- Gus Dudgeon / maracas, cowbell
- Robert Kirby / string arrangements (4)
- Members of London Simphony orchestra / strings (4)

A NEWLY REMASTERED & EXPANDED EDITION OF THIS CLASSIC 1970 ALBUM BY AUDIENCE


· REMASTERED FROM THE ORIGINAL CHARISMA MASTER TAPES


· WITH SEVEN BONUS TRACKS (SIX PREVIOUSLY UNRELEASED)


· BOOKLET WITH NEW ESSAY & INTERVIEW WITH HOWARD WERTH


· REVIEWS IN "CLASSIC ROCK”, "PROG”, UNCUT”, "MOJO”,"RECORD COLLECTOR”


· COVERAGE ON RELEVANT WEBSITES & FANZINES


ESOTERIC RECORDINGS are pleased to announce the release of a newly remastered and expanded edition of the classic 1970 album by the legendary Progressive Rock group AUDIENCE, "Friend’s Friend’s Friend”. Along with GENESIS and VAN DER GRAAF GENERATOR, Audience were one of the key bands on the roster of the Famous Charisma Label in the early 1970s.


Comprising HOWARD WERTH (Vocals, Electric Nylon String Guitar), KEITH GEMMELL (Saxophone, Clarinet, Recorder, Flute), TREVOR WILLIAMS (Bass, Vocals) and TONY CONNOR (drums, percussion, vibes), Audience had a fanatical following, particularly on the continent, where their jazz-influenced brand of Progressive Rock proved popular (earning the band Top Ten status in Italy).


"Friend’s Friend’s Friend”, released in May 1970, was the band’s first album for the newly established Charisma Records and brought the band to a wider European audience.


This Esoteric Recordings reissue includes 7 bonus tracks, (six previously unreleased) and has been remastered from the original Charisma master tapes. It features a booklet with restored artwork and an essay by Sid Smith with an exclusive interview with Howard Werth.

A NEWLY REMASTERED & EXPANDED EDITION OF THIS CLASSIC 1969 DEBUT ALBUM BY AUDIENCE


· REMASTERED FROM THE ORIGINAL MASTER TAPES


· WITH THREE BONUS TRACKS


· BOOKLET WITH NEW ESSAY & INTERVIEW WITH HOWARD WERTH


· REVIEWS IN "CLASSIC ROCK”, "PROG”, UNCUT”, "MOJO”,"RECORD COLLECTOR”


· COVERAGE ON RELEVANT WEBSITES & FANZINES


ESOTERIC RECORDINGS are pleased to announce the release of a newly remastered and expanded edition of the classic 1969 self-titled debut album by the legendary Progressive Rock group AUDIENCE. Along with GENESIS and VAN DER GRAAF GENERATOR, Audience were one of the key bands on the roster of the Famous Charisma Label in the early 1970s.


Prior to signing to Charisma, the band recorded their self-titled debut album on a production deal which appeared on the Polydor label in the late Spring of 1969 for a matter of months before being withdrawn.

Comprising HOWARD WERTH (Vocals, Electric Nylon String Guitar), KEITH GEMMELL (Saxophone, Clarinet, Recorder, Flute), TREVOR WILLIAMS (Bass, Vocals) and TONY CONNOR (drums, percussion, vibes), Audience had a fanatical following, particularly on the continent, where their jazz-influenced brand of Progressive Rock proved popular (earning the band Top Ten status in Italy).

This Esoteric Recordings reissue includes 3 bonus tracks and has been remastered from the original master tapes. It features a booklet with restored artwork and an essay by Sid Smith with an exclusive interview with Howard Werth.